Boasting an excellent cast, led by the outstanding Martin Freeman (who brings a strong sense of humanity to the central role), 'Nightwatching' is a frequently remarkable film. Shot in Greenaway's distinctive, theatre-like world, this absorbing movie is in turns sad, repulsive and profound. It has a rawness and spark very rarely found in period films. Pawlik's haunting score works wonderfully too.
An incredibly fascinating experiment in film. Are we watching a regular story? Are we watching a piece of theatre? Greenaway captures Rembrandt in such a beautiful and artistic way, it truly is remarkable. Has Martin Freeman every come close to this performance since then? That would be hard to imagine. What might do this film the most justice is its surprising intrigue with conspiracies.
Seen in relation to the subsequent Rembrandt's J'Accuse, it seems a masterwork of critical suggestion. Apart, it feels incomplete. While essentially a remake of The Draughtsman's Contract, the film succeeds as both an investigation into the artistic process & as deconstruction of the Dutch master's style. The cinematic reproduction of van Rijn's work is of course exciting, but the human element is no less compelling.
Too bad old Rembrandt didn't see 'The Draughtsman's Contract'. It was also about a cocky artist that bites the hand that feeds him. I'm a skeptic, so I have a hard time with believing in conspiracies. You do an unflattering group portrait, and you stop getting commissions. It's not a conspiracy. It's market forces. Also, tastes change.
After watching the film for a second time I liked it better. Greenaway has an increbible ability to use Rembrandt's colours, lights and spaces - like he did before with Vermeer's style in "A Zed & two Noughts". Structure and dynamics of his shots are incredible. Michael Nyman's score could be better: He composed a nice piece, but due to its permanent repetitions and use in underscoring it gets dreary.
5 stars for the visuals and Freemans endlessly watchable performance. 2 stars for the way Greenaway uses the tired trope of female suffering to further the drama for his male protagonist. The film is otherwise fantastic but why we can't come up with better ways to tell stories about men than to have them react to female deaths and miseries is beyond me. 3 1/2 stars, really, but rounded up.
Verbeux et parfois difficile à suivre, cette 'Ronde de nuit' demeure une œuvre prenante où l'on apprend beaucoup sur la genèse du tableau, sur Rembrandt et son travail. La mise en scène originale et la superbe "photo" (ou plutôt "la peinture"?) témoignent du soin de Greenaway et de sa singularité. Vous verrez rarement un film en costume aussi réussi et visuellement beau, où chaque séquence prend des airs de tableau.