First the sins: the soundtrack was too obvious; the flashbacks were a little corny; too many words on the script that didn't need to be spoken; some of the sisters felt miscast. Now the virtues: Melissa Leo, Melissa Leo, Melissa Leo; lesbian love; tackling the lack of faith and disbelief in God; costume design; the naked nun; the showdown between mother and mother superior... I was shooketh!
I appreciated that it unironically did not put down GOD but allowed the audience to take what it wanted from seeing a cloistered environment devestated by change soiled by a patriarchal system. Julianne Nicholson is really great although Melissa Leo has the showier role.
Even better the second time. It asks so many interesting questions about identity, sexuality, certainty, and love. It's filled with great performances and is beautifully done. One of my favorites of the decade.
The film offers a revealing look into the lives of nuns (and those hoping to become nuns), and Leo delivers yet another transforming performance. Yet, despite its richness of detail, it ultimately doesn't create a fully realized story. Besides many padding scenes, I don't think Betts really understands her characters; and if she does, she presents them from an emotional distance, almost looking down on them.
Overlong, but also really nuanced in ways I didn’t expect. As oppressive as this environment is, the beauty of ritual and tradition is articulated in a way that makes this more complex than you’d expect it to be. Wish we got more Dianna Agron. She steals the movie.
There is an old saying that says 90% of directing is casting. The truth is that Margaret Betts did a phenomenal job casting her film but not much else. Expect an Oscar nomination for Melissa Leo. Besides her cast, when it's the director's time to shine or when her A-listers are off screen, she fails miserably as we can see in the laughably clumsy opening childhood sequence and her visionless camera movement.