A recovering drug addict is given a day’s leave from his rehab center to apply for a job and try to reconnect with his old friends and family around the city of Oslo. Based on the novel Le feu follet by Pierre Drieu La Rochelle.
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In parts, one of the most interesting and authentic feelings on depression I have seen. Not interesting stylistically, and a bit of a shitty character; but that scene where there is a girl listing all the things in life she would like, and like to achieve; and he desires nothing, and only really wishes for the inevitable end. To far gone; almost how I feel about life too.
Intellect as a curse to mental health. An utter tour de force in illustrating the recesses of the male psyche. I love Trier films almost as much as I love Von Trier films. What a wonderful pair of directors - cinematic catharsis at its most potent.
I remember at 28 knowing that I wasn't going to be successful by 30, and that in fact I had no prospects whatsoever. For 4 years I wandered aimlessly and hopelessly. And then I met someone who had faith in me. She basically saved my life. I had to make stuff up to put on my resume. By the time I was 40 I redefined what it meant to be successful.
Taken from the same source as Malle's 1963 film "Le Feu Follet", this version is endowed with a delicious stillness, managing to distil Autumn's peculiar melancholic incandescence within the tale of a shattered life. The acting especially is exceptional.
Intelligent, honest and tragic tale of a recovering drug addict. The film succeeds brilliantly in conveying a sense of loss; a loss of time, innocence, friendships and that horrible realisation that the world moved on without you while you were living in a party cocoon. It's bleak for sure, but so refreshing to see a drug film done from a slightly different perspective. 4 stars
Devastating drama about a 24 year old former drug addict who is released from his rehab program for a job interview. Instead he spends that time reconnecting with old friends, and discovers a disconnect not only from his old life, but from a life that seems to have passed him by. A smartly scripted and haunting exploration of Gen Y angst, as the optimism and innocence of the college years begin to fade away.
Captivating from start to finish, this stands as a near perfect film about the melancholy of returning home. The crisis of addiction is on the back burner, because what is most fascinating here is that the film uses Oslo as a living, breathing entity who's effect on Anders is governed by his mental state. Is the city sad and lonely, or has Anders grown to resent his own actions and how they affected his perspective?
O que se vê na tela é um duplo fresco: Á medida que o retrato do protagonista se tece, a imagem de Oslo se desenha. Joachim Trier mostra a Cidade do Tigre com todo o seu esplendor, à maneira de Eric Rohmer e sua Paris. Esta capacidade de capturar e conservar uma pegada de Oslo é primordial para o cineasta. E é justamente esse olhar que encena a perda de si próprio e, pouco a pouco, a solidão que a acompanha.