Beautiful, interesting, incredible cinema.
Spilliaert is fascinated by the seemingly spontaneous moments in double portraits that amateur filmmakers make of themselves. She starts her visual essay by mirroring a Super-8 recording from an archive of amateur home movies with a video recording made by Spillaert’s parents in 1990.
Spilliaert is fascinated by the seemingly spontaneous moments in double portraits that amateur filmmakers make of themselves. She starts her visual essay by mirroring a Super-8 recording from an archive of amateur home movies with a video recording made by Spillaert’s parents in 1990.