Cristi is a policeman who refuses to arrest a young man who offers hashish to two of his school mates. Cristi believes that the law will change, he does not want the life of a young man to be a burden on his conscience. For his superior the word conscience has a different meaning…
This film is not currently playing on MUBI but 30 other great films are. See what’s now showing
"Lads, you know what we're doing here? Dialectics, that's what it's called. Do you know what that means?" - Formally courageous, belligerently ponderous, defiantly cerebral. A crawling meditation on the insidious function of language and semantics within the law, as they intersect the rights, freedoms and morals of the citizen and the upholding of the oppressive state. Seriously, this fella is a fkn genius
French Connection in Bucharest: un bureau de police se focalise durant des semaines sur 1 collégien coupable d'avoir offert 1 joint. Brillant exercice de style, acteurs & réalisation excellents. On en oublie que le sujet est dérisoire. A police office is focusing for weeks on a schoolboy guilty of having offered a joint. Brilliant exercise in style, excellent actors & filming. We forget how the subject is ridiculous.
I'm drastically shocked by this movie. Extreme minimalism, thoroughly fixed long-take, miraculous mixture of sheer reality and critical fable. Seeing this, I'm convinced that Corneliu Porumboiu is one of the best director and Romanian New Wave is the most exciting forefront genre of film.
I am beginning to explore this Romanian New Wave movement and I really liked this movie. A police film (n.) that defies the conventions of a detective-cop movie in ways similar to Breathless. Police films usually lead us to action, but 50% of Police, Adj. is Cristi waiting around. His job is following pot-smoking teenagers and dealing with Romanian red-tape and we are forced to sit there with him and wait. I dig it.
"Do you know what we are doing"
"Having a meeting?"
"No engaging in dialectics"
Wonderful dark comedy. Great attention to details in the screenplay -- "A for Alex, I for Ion not Judas, C for Cristi" -- and in the shots.
Long shots, impressive in it's reality, and after all ... so precise on the subject. Romanian cinematographers (Pintilie, Mungiu, Porumboiu, etc.) brings the new senses of realism, perhaps more understandable for us who lives in the Balkans. Favorite characters: Gina and Nelu.
Certainly not a Hollywood type police drama---not much action,just focus on the tedious,measured pace of police work.
We are drawn into the fascinating dilemma faced by this Cop,with sparse dialogue where every word matters.