I was surprised how much I ended up liking this, considering how linear and pedestrian the story and direction seemed at first. The incredibly charismatic and natural Rockliffe Fellowes along with the beautiful and likewise natural Nilsson of course helped, but I think the on location shooting and real East Side dwellers create a very genuine world without being sappy.
Un étonnant mélodrame social, sans confortable happy end, se terminant par la mort violente de l'héroïne, dont on retiendra surtout la solide interprétation de Rockliffe Fellowes, qui rappelle étrangement la silhouette emblématique de Terry Malloy, alias Marlon Brando, dans le film d'Elia Kazan "Sur les quais"... www.cinefiches.com
Hard to judge without considering that this one came one century before us. With that in mind, it's kinda interesting to watch a redemption storyline being told so long ago.
I've read that "Regeneration" was the first movie using the shot/countershot filming and that sort of curiosity was what brought me here in the first place.