Mark, a director living in Berlin, sends a filmed love letter to Sandra, a painter who lives in Paris. Mark reminisces over their relationship and a trip they took to Rome in search of their Jewish origins. As time passes, the continued presence of the camera becomes a challenge for Sandra.

Told in the form of a “filmed letter,” Joseph Morder’s prescient film
depicts a trip to Berlin and the breakdown of a relationship—a love triangle between Sandra, Mark, and his omnipresent handheld camcorder. A fascinating look at the gaze in front of and behind the camera.