See You in Hell, My Darling

Paolo Simeone

Another movie by Nikolaidis featuring women locked into a house chasing shadows and getting madder day by day. It lacks the anguish of Euridice BA 2037 and the extreme of Singapore Sling, but still plays with noir tropes as this last one. Sometimes Nikolaidis' cinema looks a little bit pretentious, but anyway it should be dug up from the grave where it lies given that it's stunningly shot.

Nachtreich

Bah.