Moore has always thrived playing individualist square pegs struggling to squeeze into the round hole of constrictive societies. Here, though, Still Alice is itself the round hole, and one often senses Moore's toil to flit across her countenance the history of a woman that the film, based on Lisa Genova's bestselling novel, is uninterested in etching. It does, though, dubiously present Alice's decent into dementia as a snowball of stakes-raising dramatic tension.
Ed Gonzalez
December 3, 2014