This political satire, based on the 1994 novel of the same name by Christopher Buckley, follows the chief spokesman for Big Tobacco as he spins the “benefits” of cigarettes in a time when America began to realize the health hazards stemming from smoking.
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What made this film so lovely was Aaron Eckhart's shit eating grin. But yeah, I loved that the film never coped out in terms of supporting his characters choices and decisions. Although I wish that certain things weren't glossed over (like his character being a smoker but we don't see him smoke?) overall I thought this was a pretty good and very enjoyable comedy with some bite.
Completely devoid of any sort of fake morality and riddled with a twisted sense of humor, this film is a brilliant piece of contemporary political satire. The writing is deliciously smart and cynical and Eckart achieves the impossible, by turning his amoral lobbyist into a likable, refreshingly bold man of his time. The scenes with the MOD ("Merchants of Death") trio are definitely my favorite.
TYFS is like a short wrestling match: Guy beats up, gets beaten down, twists the game and wraps with a victory. Classic American Narrative. Still, this baby brings duality to the table and feels fresh. What's right and wrong for someone to do to pay his mortgage? A fast paced movie that makes us wish for more of the same juice. A brilliant satire on the capitalist world on the both sides of the coin. Great picture!
The movie would be a lot better if it wasn't so pleased with itself and just played everything straight. The best comedic/dramatic moments come sans the "quirky" narration. Still, it has bite, and the acting is good.
Quanto può piacere un rappresentante di sigarette? A quanto pare tanto. Dinamico, divertente e ben scritto, il film di Reitman è un pacchetto da 20 che fumerete in un fiato, finendo l'ultima con un sorriso sulle labbra. Ottimi gli attori e originale la regia, peccato per qualche scelta narrativa che ogni tanto risulta un filo prevedibile, non compromettendo però un lavoro globalmente più che buono.
Lo valorable de "Gracias por fumar" es en referente a que su trama no cede a las normas tradicionales, sobre personajes cínicos camino a la redención. Jason Reitman me recuerda a Alexander Payne, especialmente al de "Election". La trama no busca una curación de los antivalores morales. Todo lo contrario. Los apela y los sustenta a modo de que se mantengan fieles, en este caso, en pie a la sátira construída.