Entertaining, but completely forgettable. I like the blood, the humor and the Weaving/Lewis duo: when it works great, it works great. At the end, it's a nice popcorn flick with no brains and a lot of shot boobs. To be honest, I won't mind if there's a second one - because it's so by the book, it's the kind of movie that can be reheated over and over again.
A twisted blend of "Risky Business" and "Home Alone" featuring a Satan-worshipping babysitter could be a fun time in the hands of the right filmmaker, but very little of "The Babysitter" is directed or performed with any conviction. McG tries but fails to capture Joseph Kahn's manic and self-aware style, so what we're left with is a politically incorrect sense of humor and a series of increasingly gory setpieces.
As soon as I saw King Bach was 'acting' in this, I immediately thought this would be trash. However, it actually turned out to be a very enjoyable, albeit predictable and quite cheesy, horror comedy. Certainly not as bad as you would expect from a Netflix original movie.
Nothing irks me more than conspicuous yet unmotivated slo-mo/music drops/camera movements, and McG uses all of these in abundance. Entertaining enough, though (again) conspicuously sophomoric in a way that grates. The climax makes little sense and the coming-of-age story is half-baked. Though I would have gladly watched shirtless Robbie Amell torment pre-teens for the entire run time, the rest was chaff.
McG cashing in on the 80's horror revival a little too late to be cool. And boy, he is trying to be cool, with his editing especially. There is enough to like in the performances, especially Amell, and the genre tropes satify though, so its worth your 80 minutes.
McG tries to emulate alot of what made 80's cinema great without getting it right. A lot of story beats and tropes are wielded in search of knowing nostalgia but ends up becoming a tame style experiment. A kind of "Home Alone" goes slasher really. Still there is fun to be had here and sometimes the movie finds it footing and becomes kinda great. All in all a decent attempt but uneven.
Un bel film, intrattiene dall'inizio alla fine senza annoiare e soprattutto presenta un montaggio davvero non convenzionale con una esasperazione delle classiche regole di imitazione della realtà. Esalta la finzione ma lo fa con stile.