Peter, a WW II ‘displaced person’ about to be deported jumps ship in New York harbor in an effort to find an ex-G.I named Tom whom he helped during the war and can prove Peter’s right to legal entry in the United States.
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Yesyesyes. Thanks to the very neo-realist Vittorio Gassman performance and to Gloria Grahame (ah, GLORIA GRAHAME !), THE GLASS WALL isn't completely flawed. The theme handled is even more relevant nowadays but, all in all, the film is highly forgettable because of the angelic treatment of the screenplay. Already forgotten.