Finland, 1962. Boxer Olli Mäki has a shot at the World Featherweight title. Immensely talented and equally modest, Olli’s small town life is transformed when he’s swept into national stardom and suddenly regarded as a symbol of his country. There’s only one problem: Olli has just fallen in love.
It is our great pleasure to exclusively present this 60s-set Nordic charmer and knock-out debut. Triumphant winner of Un Certain Regard in Cannes, shot on gorgeous monochrome 16mm and based on the true story of the most romantic of boxers, one thing’s for sure: it’ll make you happier.
A wonderful, small big film about love, ambition and boxing. The script is great: it gives the movie room to breath and builds up tension with simple issues (eg. will Olli be under 57 kg in due time). The dialogue works well, the characters feel very real, and the on top of it, the actors do a great work, especially of the two main characters, Olli and Raija.
Truffaut would have been proud. At her best, Oona Airola channels a young Jeanne Moreau. The 16mm film really comes to life in a few memorable scenes, like the motorcycle ride near the beginning, and Olli's march to the ring before the fight. I love small gestured efforts like this.
Camera d'or winner at Cannes. Kuosmanen's debut film tells the story of Olli Maki and his title fight against Davey Moore in the early 60's. Instead of being the atypical boxing film Kuosmanen instead centers in on what really makes Maki tick; mainly his love and romance with Raija his home town sweetheart. Lovingly shot in b&w this character driven film has a sort of innocent charm but lacks revelation.
A grotesque display of unrepentant optimism in the face of systemic failure. This movie is dangerous, probably even toxic if watched on larger-than-life screens. The overabundance of smiling characters left me shellshocked, if not irreparably damaged. I am considering suing the director and the DP. Also, I have a crush on both Oona Airola and Jarkoo Lahti but please don't tell anybody.