When Katharina Blum spends the night with an alleged terrorist, her quiet, ordered life falls into ruins. Suddenly a suspect, Katharina is subject to a vicious smear campaign by the police and a ruthless tabloid journalist, testing the limits of her dignity and her sanity.
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A West Germany every bit as police state and surveillance heavy as East Germany. The police invade your private life on the pretext of stopping anarchy or communism (instead of the East's anarchy and capitalism), and the press destroys you individually by using freedom of press (instead of the individual you being destroyed by the lack thereof). This is a very dry and unsubtle satire. --PolarisDiB
I really liked this movie about the methods of the gutter press and about the ignorance of the police. It is nearly as intensive as Boell's novel. Just remember the last words of Katharina, when the camera zooms to a close up of her face and she says: "Warum eigentlich den nicht auch?!" A great image!
The epilogue, featuring a newspaper editor's near-fascist rant about defending 'freedom of speech' and 'diversity of opinions' begs the question: is invading into people's private lives and robbing them of their honour 'freedom of speech'? A brilliant film everyone should see.
Really excellent- surpassed all my expectations. Brilliantly shot, scored and scripted, 70s West Germany is the perfect environment, both aesthetically and politically, for a film that displays the hypocrisies of far left and far right politics. The commentary on this and the impact of slander on human life, true or otherwise, is no less incisive or relevant today than it was thirty years ago.
Una protagonista en medio de una acusación. Al margen de sí Blum es cómplice o no, se va manifestando en la atmósfera social una suerte de prejuicio político. "El honor perdido..." pueda que en principio conste de una historia en donde la paranoia reina, muy a pesar, su tema central es a propósito de esos productores de la paranoia; la prensa. Dura crítica al cuarto poder en su forma amarillista, perversa, crapulenta
I think it's a basically stolid film, but I can't really bring myself to give it more than three stars. As a movie, I don't think it's ESPECIALLY evocative or complicated, narratively or aesthetically. The media robs people of their honor by turning them into what it accuses them of being. It's singularly a critique of deception and objectifying male lust. It's a solid, indistinct anti-system movie, basically.