Kati Outinen is memorably impenetrable as Iiris, whose grinding days as a cog in a factory wheel, and nights as a neglected daughter living with her parents, ultimately send her over the edge. The Match Factory Girl closes out the “Proletariat Trilogy” with a bang—and a whimper.
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Aki Kaurismaki manages to pull off another black comedy about the depressing conditions that surround the working class. Language fails to communicate for the characters, thus Kaurismaki statures this film with expressive music and cinematography. Socially-conscious dry humour? Sign me up.
Aki Kaurismaki takes advantage of the idea of cinema as a purely visual language and crafts a short story that surprises in every corner with its profound, dark humanity and subtlety. The director's distinct, extremely vivid colours do shine throughout the entire film (instead of colourful, the effect is of something quite depressing and bleak) as the potential of every shot is used to the absolute fullest.