9 - One of the truest, most sincere portrayals of genuine amorality in the history of cinema. The cross-cutting technique employed by Peckinpah's editors and the wonderful, chaotic yet easy to follow action scenes that it enables remain impressive to this day. Peckinpah found beauty in the weirdest of places.
The western genre is usually indifferent to me, but there are some films you just can't hate. The gun fighting scenes in both Django and The wild Bunch are what I would call epic, The good ,the bad and the ugly might be the greatest (conventional) western...and there's El Topo which is something extraordinarily brilliant
Lo fascinante de "La pandilla salvaje" es el doble rostro de sus protagonistas, malhechores que durante el transcurso de la trama manifiestan tanto un perfil perverso como redentor. Algunos perjurando se aproxima su retiro dentro del crimen, cuando sin embargo no dan seña de ello. Es como si lo llevaran en la sangre, y esto se entiende en su escena final. La escena clásica: el rescate o suicidio por uno de los suyos.
the fascination came this time for a balance that Peckinpah holds in the pictures. They are brutal, beautiful, they carry this nostalgic disposition and they depict violence-inducted systems. And in all these ways, the film goes beyond a certain level, it itches, disturbs, engages. But it never loses it's track, it never becomes excess.
An eye opening journey into one of the biggest influences of modern cinema, Peckinpah's action sequences are nothing short of the visual equivalent of symphonic masterpieces. Unfortunately the movie is also bogged down by too many scenes spent watching the characters party and bullshit, making for dizzying highs and attention-challenging lulls in the film's pacing.