Beautiful, interesting, incredible cinema.
When the medium of film beholds space, it conjoins space with temporality. Sasha Pirker duplicates this very potential in September of 2013 when she enters a future exhibition space originally purchased and developed by Donald Judd at the end of the 1970s, armed with her camera.
When the medium of film beholds space, it conjoins space with temporality. Sasha Pirker duplicates this very potential in September of 2013 when she enters a future exhibition space originally purchased and developed by Donald Judd at the end of the 1970s, armed with her camera.