In this drama, an adaptation of Chekhov’s play, a rural doctor falls in love with an unavailable beauty while plying his trade. It is frustrating for the old man, because he realizes that his devotion to medicine has caused him to miss out on many of life’s pleasures.
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Like in Oliveira's "Benilde ou A Virgem Mãe" and Fassbinder's "Bolwieser", space and light are the drama conductors, and as with his brother's "Unfinished Piece for Mechanical Piano", maybe the most accomplished Tcheckov adaptation for cinema. The carachters are figures that the camera compresses or distributed in space, and light is an artificial eye.
I thought 'Unfinished Piece for Mechanical Piano' was the ultimate Chekhov movie. Well, this is just as good, with even bolder direction that makes use of very effective modernist touches. Great camerawork, exquisite acting.
Superbe oeuvre romantique qui retraduit à merveille l'atmosphère envoûtante de certains romans de d'Anton Tchekhov. Ce film reste un vrai plaisir cinématographique entre beauté visuelle et sensibilité douce-amère... www.cinefiches.com
Tarkovsky and Konchalovsky met each other in 1960. They wrote the script for ANDREI RUBLEV together. (Also IVAN'S CHILDHOOD). It seems this film highly influenced Tarkovksy on making ZERKALO (though as a project, ZERKALO's birth date is 1964, similarity in style can be observed easily).
Accomplished Russian film adaptation of Chekov's Uncle Vanya. Woody Allen calls this "the best Vanya" and it may be. Well performed, well filmed, funny. Of course it's Chekov so it sometimes move at a ... stately ... pace. I wouldn't consider it especially slow, though, unless you're conditioned to American action movies and romantic comedies.