Intriguing for its glimpse inside La-La Land, but makes its points early on, and do they really surprise anyone? Bigger problem by far is that of ethics. I think, Who went to North Korean penal colony because of this? Who got tortured or shot so some guy could get famous for making his documentary about the lowliest of the low, the most miserable of the miserable, then have caviar and champagne when safely back home?
Mansky managed to make a documentary on North Korea; and because the movie has been supervised by the government propaganda it became a movie on the moviemaking under the surveillance, showing us between the takes - when the mask is put down - the true faces of oppressed humans. Worth a lot. It's a hot testimony on human society.
It really must suck to be a child in North Korea. The movie in a way reflects on the making of a documentary itself - can you subvert the order from authority by obeying it and yet still "document" something beyond that? I think this movie succeeds in this case.
A question about freedom and it's restriction. The move-freedom is restricted but how about in their head? What is their alternative in our sense? North Korea was trying to give a fictional 'right picture' of their life. Is it control or discipline? This film shows the phänomenon in North Korea quite naturally and objective but the last scene was too clear for me to know 'the opinion or goal of the director'.
Shows that if you film constraints long enough, it will ultimately show you the humanity behind it, the life no one can truly obliterate. It is genius filmmaking and really make you feel for the north-korean people.
Eye-opening. Deserves a lot of attention. This documentary gives a very close look at the life of the North Korean people. The saddest thing is that they don't think their life is hell and that the tyrants have taken over the power; they simply have no idea what's behind the border.
Ein sehr trostloses Land in einer trostlosen Dokumentation. Dem Regisseur gefällt es, die Mechanismen dieser Diktatur wieder und wieder langatmig zu präsentieren. Die Zwischentöne – kurze Szenen, die gelangweilte, ratlose Kindergesichter zeigen – machen den Film interessant und trotz aller aufoktroyierter Einschränkungen offenbarend. – Die Schlußszene ein herzzerreißendes Fallbeil.
highly disturbing portray of a grey area between lie and truth, fiction and reality, an atmosphere of fakeness and manipulation of people who become vessels of brainwashing propaganda. as if a constant living in a movie set directed through the cruel bleakness of totalitarism. what's most shocking and terrifying is the notion of existential repetition of their lives as enslaved zombies. powerful filmmaking.