The story concentrates on four German soldiers, sent to the front in the waning days of WWI. The futility of killing an enemy who is already dead spiritually, and of being killed for a cause that has for all intents and purposes been resolved, is brought home to the viewer with both barrels.
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A painful film to experience, but one which is breathtaking & imperative. Though Karl & the student are privileged w/ regards to characterization, Pabst's portraiture of gesture, mannerism, & countenance is diffused throughout. Principled battlefield tracking shots juxtaposed w/ surprising long-take static shots of ambient battle scenes & an orchestra performance. I understand why Pabst asks the viewers to suffer.
4.5 stars. "Pull yourself together. We're supposed to be heroes." Often compared to All Quiet on the Western Front, Westfront has less pathos, less poetry, but exposes the horrors of the trenches with incredible realism and through great sound design (this was Pabst's first talkie). However, as Pabst himself said, realism isn't the point, but instead what developments and personal stories that gives way to.
7 ma meriterebbe anche di più, solo che nella mia scala inerente alla mia ricerca, e ciò che più si avvicina al suo rapporto con una oggettiva onestà, in modo tale di essere vagamente utile al prossimo, un film del genere può essere apprezzato fino ad un certo punto
Recall the moment when a mother, after seeing her son, who has been in the war for a year and a half, in the street, controls herself saying "I've been waiting in line all morning". That's intelligence in depicting the dialogue between emotions and needs, and confusing the viewer's expectatives, improving the experience. All the film maintains this level of brilliance.