Boring as hell, but otherwise great! Beautiful photography, and I liked the gimmick of oversaturated colors. Coney Island looks great, and tremendous detail went into the set design, down to the vaseline glass on the kitchen table. As usual, the music is really swell. Impeccable performances by a truly great cast. If only they had had a good script to work with! At this point Woody should hire a ghostwriter.
Sorry McDormand, Streep, Mary J, Rooney, Robin Wright, it will be next to impossible to not give the Oscar to Winslet (and she has two Oscar-worthy performances this year alone: also 'The Mountain Between Us'). She is a powerhouse. I swear this woman emits light in the form of acting radiation. That last sequence has a Garbo-stare quality to it that will haunt you for years. Best actress in the biz, bar N O N E ! <3
A drama in Technicolor. Mobsters, arsons, alcohol and threatening skies form the hostile bunch that the 'Wonder Wheel' characters have to face. 'Interiors' was Allen's first serious film, this one could be named 'Exteriors'. Thus, we comme full circle. Strongly recommended.
Unravels into 'Baby Jane' levels of hysteria in its final act, becoming shrill when it should've been sensitive. While Café Society is generally better, I enjoyed the meta-theatricality of Allen's latest, in which he pushes the artificiality of the cinematic form the furthest since Shadows & Fog. It's almost exactly the film Fassbinder would've made had he gone to Hollywood in 1982, with obvious similarities to Lola.
This shrill and often depressing melodrama from Woody Allen does its cast no favours and results in Allen's worst since 'To Rome with Love'. However if one can remove the script and actors this is one beautiful picture featuring excellent set design, costumes, art direction and stellar cinematography from master Vittorio Storaro. Winslet is wasted here with an underwritten role and the supporting cast flounder.
The conundrum continues: should great actors separate the art and the artist and work with Woody Allen on projects hoping to learn of his mastery, or are they complicit with the alleged abuses that have never been brought to trial against the auteur by participating in his creative projects? As for 'Wonder Wheel', neither Allen's worst nor best.
Digital. Loquasto's Coney Island's recreation is exquisite but Storaro's obviously saturated cinematography don't reach the level of what he has achieved in Coppola's "One From the Heart"; not even the fact that this overdose of naturalism, sometimes enjoyable, can go beyond a possible Allen's approach to a modus and universe that is his only but here in a secure application mode, equally saturated with music.
I am genuinely shocked by how incredible WONDER WHEEL is. This despite the fact that it is full of, you know, terrible Woody Allen dialogue. Basic dramatic engineering, however: sublime. Though aggressively beholden to theatrical models (O'Neill, Williams, Chayefsky, Odets) it is nonetheless screamingly cinematic. Looks like late Fassbinder, but w/ pinpoint camera moves. Winslet, not exactly bad, is kinda out to sea.