The suddenly more shocking colors, loud music [. . . are] wonderfully effective, but the following scene of Marylee and Mitch riding in her car against a back projection screen takes it down a notch—relative to the previous scene, the dialogue is almost reflective and both actors impressively restrained in their ways, linking the film back to the more quiet, however dramatic, earlier scenes with Mitch, Lucy and Kyle.
April 09, 2018