“It all happens like a chain reaction: you get a first job to score a movie, if the movie does well you get another, even bigger movie and all of a sudden you become an expert in that genre. And boom! You only get movies with cops and heroes versus villains. I am not complaining about that, but I would love to also score a romantic movie at some time. I guess I have developed a certain style of melodies versus rhythm and polyphony which seems to underline and enhance these characters.”