“For me it's very good to bring the demands of written music – phrasing, intonation, dynamics – to improvisational recording, where the approach is looser and more spontaneous. And vice versa, to bring some of the spirit of an improvised music session into a recording of written music, to get some empathy into it, so that it doesn't become an academic-circle record. I'm trying to make an exchange, to bring one to the other.”