Avis des critiques

While Chris Messina is a capable comedic actor, he’s utterly lost here. The dialogue concocted by Adler and collaborator Ryan Covington doesn’t help.

Despite the occasional flashy camera move, Yuval Adler directs with an apparent determination to remove color and light from his imagery. The police and the neighbors demonstrate impressive cluelessness, without which the unearned ending wouldn’t make sense.