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THE TURNING

Floria Sigismondi États-Unis, 2020
Henry James’s classic 1898 ghost story The Turn of the Screw is splodged with unsubtlety in this jump-scary new screen version, wasting a lot of acting talent.
janvier 24, 2020
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The kids are alright. Their energy is at times surprising. The movie’s buffet of jump scares, by contrast, are mostly the opposite: dull, rushed, and unsurprising—a shame, given the genre.
janvier 24, 2020
The Turning so consistently trashes James’s psychological terror, it should have been called The Screwing.
janvier 24, 2020
The New York Times
It’s the movie’s open-endedness and literary vestiges that sit uneasily with its repetitive goosings, which manifest in exceedingly familiar ways.
janvier 23, 2020