Ce court métrage de Peter Tscherkassky est une comédie sournoise qui explore les relations entre cinéma des premières heures et cinéma d’avant-garde par le biais de la publicité.

A breathtaking formal collage that adopts myriad material techniques, this 24-minute wonder forges a playful bond between early cinema and 1950s advertising. Structurally audacious and rhythmically hypnotic, Coming Attractions serves up a wry commentary on the very essence of cinematic language.