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15 रेटिंग्स


निर्देशक Ruben Östlund
स्वीडन, 2004


A film about different people living outside the norms in the fictional city Jöteborg, strikingly similar to real-life Göteborg. Although not a documentary, most of the people seen in the film are non-actors more or less playing themselves.

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Gitarrmongot निर्देशक Ruben Östlund

समीक्षक के रिव्यू

The slackest of Östlund’s narratives, the film quite purposefully doesn’t amount to much dramatically, opting rather to accumulate a literal and figurative rhythm amongst its various characters (mostly played by non-actors). There’s a loose, improvisatory feel to much of the film, as Östlund allows these townsfolk to endear by will of their own personalities and peculiarities.
January 13, 2015
पूरा लेख पढ़ें
The Guitar Mongoloid," Mr. Ostlund’s 2004 debut, begins as a free-floating portrait of mischief and compulsion — a cousin to Harmony Korine’s “Gummo” that comments obliquely on fascism and violence. A scene of Russian roulette looks forward to Mr. Ostlund’s later studies of peer pressure.
January 13, 2015
पूरा लेख पढ़ें
Look to Mongoloid, that first impish pseudo-doc from 2004, for Östlund’s initial aesthetic assault: Distant, enigmatic, fragmented, and possessing a dead-eyed steeliness in the tradition of Michael Haneke, Tsai Ming-liang, and Ulrich Seidl. The Guitar Mongoloid is a quilt of moments, set pieces, and voyeuristic opportunities building to no specific thematic idea.
January 13, 2015
पूरा लेख पढ़ें

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