Immediately the film tells us how to experience it: focusing attention on between-ness, "dichotomies" people mistrust, yet where they can "find themselves" (prose vs. poetry). A prominent book title catches the eye: "Picasso Cubism." All is juxtaposed, impermanent, transitional, multi-faceted. Some periods of life seem more conducive to this awareness; Wittman's film reproduces these conditions. I value the reminder.