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Muriel, or The Time of Return

Muriel ou Le temps d'un retour

Disutradarai oleh Alain Resnais
Prancis, 1963


Hélène, a widow, sells antiques from the apartment she shares with her stepson, Bernard. Bernard is haunted by his participation in the torture and murder of a young woman named Muriel while serving as a soldier in the war in Algeria. One the most powerful classics in Alain Resnais’ work.

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Muriel, or The Time of Return Disutradarai oleh Alain Resnais
Bernard (Jean-Baptiste Thierrée) says: “You never know what period you’ll wake up to in this place.” I pause personally not so much at “this place” as I do “wake up to”. Muriel, ou le Temps d’un retour [Muriel, or: The Time of a Return, 1963] is no dream-saga or cannot be so easily internalized as such regardless of Last Year at Marienbad — this is dedicated hardcore montage form confronting and abutting in certain prolongation Cocteau, materially.
June 17, 2017
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It can be considered [Mr. Resnais’] quintessential film. As revisited in Criterion’s excellent new Blu-ray transfer, made from a 2015 digital restoration, it also appears to be his greatest… In essence, “Muriel” is a series of ruptures — both for Mr. Resnais’s characters and within his film — that serve to dramatize the way in which war and colonialism can disrupt individual lives as well as conventional narratives.
August 25, 2016
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In Muriel, or The Time of Return (1963), the repressed past infiltrates the present like a fungal growth slowly inching across the frame…. Alain Resnais’ follow-up to Last Year at Marienbad (‘61), Muriel has a materialist, tactile sense of place, established through rapid montages of everyday objects, whereas Marienbad’s amorphous no-place was shot with languorous long takes.
August 16, 2016
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