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First Look

Bird Talk

Xawery Żuławski Polandia, 2019

Closing our series of highlights from First Look is this urgent and exhilarating political parable, penned by the director’s late father, filmmaker Andrzej Żuławski. An unhinged and reverential tribute to one of cinema’s greatest legends, the film is also a trenchant look at Poland today.



Fritz Lang Jerman, 1927

Weimar Germany

Easily one of the most iconic films ever made, Fritz Lang’s classic future shock is still thrilling. A propulsive epic and mind-blowing visual symphony, Lang’s deeply influential vision is both the foundation of sci-fi cinema and a time-honored gateway to the expressive wonders of silent film.

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Crystal Swan

Darya Zhuk Belarus, 2018


Debut bersemangat dan bergaya dari sutradara Belarus Darya Zhuk ini tidak menampilkan banyak nostalgia ’90-an, melainkan simpati nyata, humor ironis, dan sentuhan hangat. Ini tak lepas dari peran Alina Nasibullina yang menggambarkan keinginan wanita muda untuk mengubah hidupnya. Film pemenang.

Last Letter

Shunji Iwai Cina, 2018

Japanese director Shunji Iwai (All About Lily Chou-Chou) heads to China to cast a spell of romance and time in this charming, generation-hopping story of love letters, separation, and loss. Wonderful with actors old and young, Iwai spins a deliriously convoluted story juggling melodrama and comedy.

Take Me Somewhere Nice

Ena Sendijarević Belanda, 2019


Seperti dalam semua petualangan hebat, tokoh-tokoh dalam debut Ena Sendijarević ini takkan sama setelah petualangan berakhir. Terinspirasi dari Stranger Than Paradise karya Jarmusch, film perjalanan bergaya unik ini memberikan nuansa melankoli pastel, humor Balkan, dan penemuan jati diri remaja.

Cassandro, the Exotico!

Marie Losier Prancis, 2018

Jendela Bidik

Portraiture is central to French-born, New York-based artist Marie Losier’s work. In Cassandro, Losier captures body and soul of the queer luchador with unmitigated warmth and empathy, gorgeously echoing the flamboyance and resilience of her subject with the beguiling physicality of her 16mm images.


Fritz Lang Jerman, 1928

Talk about an opening sequence! A fan favorite and the most underrated of Fritz Lang’s Weimar “superfilms,” Spies is a caper for the ages. Predating the adventures of Bond and Tintin, Lang invents the modern spy film: crackling with twists, disguises, gadgetry, narrow escapes, and forbidden love.

Searching Eva

Pia Hellenthal Jerman, 2019

First Look

Next up in our series of highlights from First Look is Pia Hellenthal’s audacious character study. An unforgettable 21st-century portrait, the film focuses on the elusive Eva, constantly constructing and fully exposing themself on camera and the Internet while, simultaneously, resisting definition.

Life Is a Miracle

Emir Kusturica Serbia, 2004

Double Bill: Emir

Probably breaking all of the safety rules that ever existed, Emir Kusturica’s Life Is a Miracle is a zany and surrealist vignette of Yugoslavia on the brink of the Bosnian War. A cacophonous, swirling and drunken celebration, with tinges of tragedy and criticism surrounding the conflict.


Emir Kusturica Yugoslavia, 1995

Opening our double bill of historical fiction from auteur Emir Kusturica is this Palme d’Or winner from 1995. An expansive masterpiece, the film is an exhilarating and absurdist satire, earning its reputation as one of the most controversial yet vital political tales in cinema.

The Man with the Golden Arm

Otto Preminger Amerika Serikat, 1955

Besides making masterpiece after masterpiece, in the 1950s Austrian emigre auteur Otto Preminger was known for pushing the envelope of American censorship. Try this one on for size: Frank Sinatra as a drug addict! Impeccably fluid filmmaking, a legendary performance, and an unforgettable score.


F.W. Murnau Jerman, 1922

You don’t need sound to be terrified. Off-brand at the time (thus, Nosferatu and not Dracula), F.W. Murnau’s Expressionist masterpiece is now iconic horror. Its spare medieval atmosphere and Max Schreck’s iconic, otherworldly vampire seems to get increasingly eerie and disturbing as the film ages.

Love in the Buff

Pang Ho-Cheung Hong Kong, 2012

Fueled by its easygoing lead actors, director Pang Ho-Cheung strikes the perfect balance between humor and melodrama in this charming love story. Depicting a glossy Beijing rife with young professional singles, the film is also a universal look at modern dating in all of its virtues and faults.


Anna Eborn Swedia, 2019

First Look

Continuing our series of highlights from First Look is this candid look at the unfettered virtues of youth. Shot on handheld 16mm and rendered through the generous participation of its subjects, the film tracks the end of adolescence through its intimate lens and gorgeous soundtrack.

Carnival of Souls

Herk Harvey Amerika Serikat, 1962

An influence on David Lynch, George A. Romero, and Lucrecia Martel (!) this lone feature film from Herk Harvey is a bona fide cult classic of both independent filmmaking and psychological horror. An atmospheric and unsettling, haunting ghost story, innovatively shot—on a shoestring budget.

The Fall

Jonathan Glazer Inggris, 2019

Pertemuan Singkat

Sutradara Jonathan Glazer mengubah perburuan manusia yang aneh di Under the Skin menjadi alegori kekerasan sosial yang mengerikan. Wajah-wajah membatu, sumur mengerikan di hutan yang gelap, kemurkaan primitif, dan musik seram dari Mica Levi, menjadikannya “The Lottery” kedua dari Shirley Jackson.

Neon Bull

Gabriel Mascaro Brasil, 2015

Neon Bull captures the world of Brazil’s vaquejada rodeo tradition through a sensual, intimate, and realist style—finding grace in the mundane, unearthing tenderness within the bestial. The human is never far from the animal in this meditative, scintillating slice-of-life portrait of a community.

Le gai savoir

Jean-Luc Godard Prancis, 1969

Between 1960 and 1969, Godard made 17(!) features in a great burst of radical creativity. Le gai savoir, his final film of the 60s, is a work of pared-down invention and subversive pop montage, in which two beguiling icons of the New Wave (Jean-Pierre Léaud and Juliet Berto) take center stage.

From Caligari to Hitler: German Cinema in the Age of the Masses

Rüdiger Suchsland Jerman, 2014

The cornerstone of our series on cinema from Weimar Germany is Rüdiger Suchsland’s sweeping documentary. Visualizing Siegfried Kracauer’s influential book from 1947, the film uses beautiful restorations of films by Lang, Murnau, and others to contextualize the period and showcase its masterpieces.

The North Star

Lewis Milestone Amerika Serikat, 1943

A pro-Soviet Goldwyn production, Lewis Milestone’s Oscar-nominated invasion drama is truly one-of-a-kind: a song-filled war film set in a besieged Ukrainian farming village inhabited by Anne Baxter, Dana Andrews, and Walter Huston. With cinematography by James Wong Howe and music by Aaron Copeland!


Jean-Marie Straub Jerman, 1992


Kami dengan bangga melanjutkan retrospektif Straub-Huillet dengan restorasi baru dari salah satu drama mereka yang paling populer dan berani. Sebagai penyambung dari era kuno Sophokles hingga masa kini, Antigone menampilkan perspektif yang baru tentang kekuatan wanita dalam menghadapi patriarki.


Michaël Andrianaly Madagaskar, 2019

First Look

We’re partnering with the Museum of the Moving Image to offer highlights from First Look, starting with an intimate portrait of a barber in Madagascar offering patrons an empathetic ear. The film lends its subject similar warmth, gradually revealing personal challenges and issues facing the nation.

The Last Laugh

F.W. Murnau Jerman, 1924

We begin a new series devoted to masterpieces of the short-lived Weimar Republic with a dazzling and groundbreaking drama of modern city life. Emil Jannings delivers one of cinema’s most indelible of performances, and F.W. Murnau (Sunrise, Faust) gives the story its full range of tragedy and beauty.


Kantemir Balagov Rusia, 2019

MUBI Spotlight

After the shockingly powerful Closeness, we couldn’t wait for Russian wunderkind Kantemir Balagov’s second film. Beanpole grabbed us by the throat: an entrancing immersion into post-war turmoil and a towering ode to female resilience—with tour-de-force performances and a jaw-dropping use of color.

La chinoise

Jean-Luc Godard Prancis, 1967

It’s time for a revolution! Inaugurating New Wave icon Jean-Luc Godard’s overtly political cinema, La chinoise is both prelude and prophecy of May ’68. A molotov cocktail of raw Maoism, pop colors, savage satire, and the romantic timelessness of Anne Wiazemsky and Jean-Pierre Léaud.

A Russian Youth

Alexander Zolotukhin Rusia, 2019


Seperti yang kita lihat pada Kantemir Balagov, master Aleksandr Sokurov mengajari generasi baru pembuat film Rusia berbakat. Memadukan kisah PD I yang berat dengan rehearsal orkestra kontemporer, debut Zolotukhin luar biasa. Film yang berasal dari era berbeda dan menjadi pionir sesuatu yang baru.

Dead Souls (Part 3)

Wang Bing Prancis, 2018

Akhir yang personal dan mungkin menyakitkan dari 10 tahun monumentalnya, 3 bagian dari Dead Souls dan “kisah kesaksiannya” (sebelumnya ditampilkan di Fengming, A Chinese Memoir dan The Ditch) membuktikan ahli dokumenter Wang Bing sebagai salah satu pembuat film terbaik dan paling berpengaruh.

Dead Souls (Part 2)

Wang Bing Prancis, 2018

Film yang monumental namun terasa dekat ini bukan hanya merupakan kebanggaan dalam pembuatan film dokumenter, tapi juga pembuatan sejarah. Disandingkan dengan Shoah dari Claude Lanzmann, karya Wang Bing merupakan penelusuran mengerikan tentang masa lalu dan pengalaman mendengarkan demi masa kini.

Dead Souls (Part 1)

Wang Bing Prancis, 2018

Difilmkan selama lebih dari 10 tahun dan dibagi menjadi 3 bagian, Dead Souls dari Wang Bing menelusuri salah satu bab yang paling terlupakan dalam sejarah Cina. Karya non-fiksi yang luar biasa ini merupakan perenungan tentang memori, perilaku manusia, dan keberanian untuk mengutarakan sesuatu.

The Strange Love of Martha Ivers

Lewis Milestone Amerika Serikat, 1946

Russian-born, two-time Oscar-winning director Lewis Milestone is best known for his 1930 version of All Quiet on the Western Front, but we prefer this delicious noir, nominated for Best Original Story in 1947 and starring the indomitable Barbara Stanwyck and Kirk Douglas.