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I usually work on the script throughout the whole process—I re-wrote whole sections of Ida in prep, during rehearsals and even during the filming. It’s not like there’s a script and then I go and execute it. The script is always growing, evolving in my own peculiar method. It’s not like the usual film made in the U.S. or even in Britain. It’s more like an ongoing process based on a simple structure that then gets complicated, simplified again, complicated again, introduces some characters, takes them out, and slowly distills something in the end that’s very simple.”
Pawel Pawlikowski, director and co-writer of Ida