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Hermia & Helena

Matías Piñeiro Argentina, 2016

Matías Piñeiro was the subject of a “What Is An Auteur?” double bill in 2019 and the glorious Hermia & Helena intersects Shakespeare with modern life. His first film in the U.S., this charming comedy captures the youthful zeal of New York, playing with form and time to craft an imaginative delight.

MUBI Spotlight
MUBI Spotlight

The Blue Angel

Josef von Sternberg Jerman, 1930

Weimar Germany

With their seven film partnership, Josef von Sternberg and Marlene Dietrich traced a path of lush, scandalous romantic fantasies, of which The Blue Angel was their first. A masterpiece of relationship masochism, The Last Laugh’s Emil Jannings wilts before Dietrich, in her career-making role.

Maklumat lanjut

Around the World When You Were My Age

Aya Koretzky Portugal, 2018

Belum Ditemui

Meskipun dipisah zaman, negara dan memori berbeza, ayah dan anak bertemu dalam dokumentari menarik oleh Aya Koretzky bertemakan penjelajahan dunia ayahnya yang berbangsa Jepun sekitar zaman 70an. Pengarah melihat perkembangan hidup ayahnya dan kami melihat perkembangan dunia dari perspektif pemuda.

Two Ships

Justine Triet Perancis, 2012

Before her Cannes Competition debut Sibyl, the young French filmmaker Justine Triet (In Bed With Victoria) transitioned from documentary filmmaking with this acclaimed, prizewinning short fiction film: an all-night urban comedy-drama, full of spirit and starring the great Laetitia Dosch.

The Stranger

Satyajit Ray India, 1991

Mengembara di Dunia
Filem India

Satyajit Ray’s last film, The Stranger is a philosophical work that ponders about the evolution of civilization and human nature. Based on his own short story Athiti, this film comments on the state of the world where the value of material wealth far exceeds that of humanity, trust, and love.

Bird Talk

Xawery Żuławski Poland, 2019

First Look

Closing our series of highlights from First Look is this urgent and exhilarating political parable, penned by the director’s late father, filmmaker Andrzej Żuławski. An unhinged and reverential tribute to one of cinema’s greatest legends, the film is also a trenchant look at Poland today.


Fritz Lang Jerman, 1927

Easily one of the most iconic films ever made, Fritz Lang’s classic future shock is still thrilling. A propulsive epic and mind-blowing visual symphony, Lang’s deeply influential vision is both the foundation of sci-fi cinema and a time-honored gateway to the expressive wonders of silent film.

Crystal Swan

Darya Zhuk Belarus, 2018


Filem debut yang penuh semangat dan bergaya oleh pengarah Belarusia Darya Zhuk tiada masa mengenangkan era 90-an sebaliknya ia pasti mengungkit rasa simpati dengan penuh humor dan kemanusiaan. Pujian tertinggi juga buat Alina Nasibullina dalam watak wanita yang ingin mengubah hidupnya. Mesti tonton.

Last Letter

Shunji Iwai China, 2018

Japanese director Shunji Iwai (All About Lily Chou-Chou) heads to China to cast a spell of romance and time in this charming, generation-hopping story of love letters, separation, and loss. Wonderful with actors old and young, Iwai spins a deliriously convoluted story juggling melodrama and comedy.

Take Me Somewhere Nice

Ena Sendijarević Belanda, 2019


Sama seperti setiap perjalanan yang merangsangkan, watak-watak dalam debut Ena Sendijarević yang memenangi anugerah ini berubah setelah perjalanan. Rujukan dibuat kepada Stranger Than Paradise oleh Jarmusch dalam filem remaja yang melankolik bertona warna pastel, penuh humor wilayah Balkan.

Cassandro, the Exotico!

Marie Losier Perancis, 2018

Pemidang Tilik

Portraiture is central to French-born, New York-based artist Marie Losier’s work. In Cassandro, Losier captures body and soul of the queer luchador with unmitigated warmth and empathy, gorgeously echoing the flamboyance and resilience of her subject with the beguiling physicality of her 16mm images.


Fritz Lang Jerman, 1928

Talk about an opening sequence! A fan favorite and the most underrated of Fritz Lang’s Weimar “superfilms,” Spies is a caper for the ages. Predating the adventures of Bond and Tintin, Lang invents the modern spy film: crackling with twists, disguises, gadgetry, narrow escapes, and forbidden love.

Searching Eva

Pia Hellenthal Jerman, 2019

First Look

Next up in our series of highlights from First Look is Pia Hellenthal’s audacious character study. An unforgettable 21st-century portrait, the film focuses on the elusive Eva, constantly constructing and fully exposing themself on camera and the Internet while, simultaneously, resisting definition.

Life Is a Miracle

Emir Kusturica Serbia, 2004

Double Bill: Emir

Probably breaking all of the safety rules that ever existed, Emir Kusturica’s Life Is a Miracle is a zany and surrealist vignette of Yugoslavia on the brink of the Bosnian War. A cacophonous, swirling and drunken celebration, with tinges of tragedy and criticism surrounding the conflict.


Emir Kusturica Yugoslavia, 1995

Opening our double bill of historical fiction from auteur Emir Kusturica is this Palme d’Or winner from 1995. An expansive masterpiece, the film is an exhilarating and absurdist satire, earning its reputation as one of the most controversial yet vital political tales in cinema.

The Man with the Golden Arm

Otto Preminger Amerika Syarikat, 1955

Besides making masterpiece after masterpiece, in the 1950s Austrian emigre auteur Otto Preminger was known for pushing the envelope of American censorship. Try this one on for size: Frank Sinatra as a drug addict! Impeccably fluid filmmaking, a legendary performance, and an unforgettable score.


F.W. Murnau Jerman, 1922

You don’t need sound to be terrified. Off-brand at the time (thus, Nosferatu and not Dracula), F.W. Murnau’s Expressionist masterpiece is now iconic horror. Its spare medieval atmosphere and Max Schreck’s iconic, otherworldly vampire seems to get increasingly eerie and disturbing as the film ages.

Love in the Buff

Pang Ho-Cheung Hong Kong, 2012

Fueled by its easygoing lead actors, director Pang Ho-Cheung strikes the perfect balance between humor and melodrama in this charming love story. Depicting a glossy Beijing rife with young professional singles, the film is also a universal look at modern dating in all of its virtues and faults.


Anna Eborn Sweden, 2019

First Look

Continuing our series of highlights from First Look is this candid look at the unfettered virtues of youth. Shot on handheld 16mm and rendered through the generous participation of its subjects, the film tracks the end of adolescence through its intimate lens and gorgeous soundtrack.

Carnival of Souls

Herk Harvey Amerika Syarikat, 1962

An influence on David Lynch, George A. Romero, and Lucrecia Martel (!) this lone feature film from Herk Harvey is a bona fide cult classic of both independent filmmaking and psychological horror. An atmospheric and unsettling, haunting ghost story, innovatively shot—on a shoestring budget.

The Fall

Jonathan Glazer United Kingdom, 2019

Pandangan Sepintas Lalu

Dalam filem baru ini, Jonathan Glazer menyarikan pencarian di dalam Under the Skin menjadi alegori ngeri tentang keganasan. Muka yang beku, telaga misteri di dalam hutan, keradangan, dan muzik yang menakutkan oleh Mica Levi menjadikan filem ini setanding dengan “The Lottery” oleh Shirley Jackson.

Neon Bull

Gabriel Mascaro Brazil, 2015

Neon Bull captures the world of Brazil’s vaquejada rodeo tradition through a sensual, intimate, and realist style—finding grace in the mundane, unearthing tenderness within the bestial. The human is never far from the animal in this meditative, scintillating slice-of-life portrait of a community.

Le gai savoir

Jean-Luc Godard Perancis, 1969

Between 1960 and 1969, Godard made 17(!) features in a great burst of radical creativity. Le gai savoir, his final film of the 60s, is a work of pared-down invention and subversive pop montage, in which two beguiling icons of the New Wave (Jean-Pierre Léaud and Juliet Berto) take center stage.

From Caligari to Hitler: German Cinema in the Age of the Masses

Rüdiger Suchsland Jerman, 2014

The cornerstone of our series on cinema from Weimar Germany is Rüdiger Suchsland’s sweeping documentary. Visualizing Siegfried Kracauer’s influential book from 1947, the film uses beautiful restorations of films by Lang, Murnau, and others to contextualize the period and showcase its masterpieces.

The North Star

Lewis Milestone Amerika Syarikat, 1943

A pro-Soviet Goldwyn production, Lewis Milestone’s Oscar-nominated invasion drama is truly one-of-a-kind: a song-filled war film set in a besieged Ukrainian farming village inhabited by Anne Baxter, Dana Andrews, and Walter Huston. With cinematography by James Wong Howe and music by Aaron Copeland!


Jean-Marie Straub Jerman, 1992


Kami dengan bangga meneruskan retrospektif meluas karya Straub dan Huillet dengan pulihan baru drama mereka yang paling mudah diperoleh dan paling berani. Sebagai pengantara antara zaman Sophocles dan hari ini, Antigone menampilkan pandangan baru terhadap kuasa wanita dalam menentang patriarki.


Michaël Andrianaly Madagascar, 2019

First Look

We’re partnering with the Museum of the Moving Image to offer highlights from First Look, starting with an intimate portrait of a barber in Madagascar offering patrons an empathetic ear. The film lends its subject similar warmth, gradually revealing personal challenges and issues facing the nation.

The Last Laugh

F.W. Murnau Jerman, 1924

We begin a new series devoted to masterpieces of the short-lived Weimar Republic with a dazzling and groundbreaking drama of modern city life. Emil Jannings delivers one of cinema’s most indelible of performances, and F.W. Murnau (Sunrise, Faust) gives the story its full range of tragedy and beauty.


Kantemir Balagov Rusia, 2019

MUBI Spotlight

After the shockingly powerful Closeness, we couldn’t wait for Russian wunderkind Kantemir Balagov’s second film. Beanpole grabbed us by the throat: an entrancing immersion into post-war turmoil and a towering ode to female resilience—with tour-de-force performances and a jaw-dropping use of color.

La chinoise

Jean-Luc Godard Perancis, 1967

It’s time for a revolution! Inaugurating New Wave icon Jean-Luc Godard’s overtly political cinema, La chinoise is both prelude and prophecy of May ’68. A molotov cocktail of raw Maoism, pop colors, savage satire, and the romantic timelessness of Anne Wiazemsky and Jean-Pierre Léaud.