[Clarissa Campolina on Ivo Lopes Araújo]: (About Girimunho) There was a lot of planning: a previous scene design, a previous 'decoupage.' Most importantly— we had to be aware of everything that was happening during the shoot. In this context, when we were shooting we aimed for effective camera work and Ivo Lopes Araujo, our cinematographer, was essential to this. Cinematography should be part of the scene— relating to it, respecting the time and rhythm of the environment, understanding the intentions and the movements of our characters.