“Non-fiction storytelling, I’ve always thought, I’ve been saying this for two decades, for me personally, it’s the last vestige of true, independent filmmaking. It’s a choice I made because a. it was like a canvas you could paint on for less money but you could, from a storytelling point of view, you can do things that you can’t even do in narrative film. What I’m able to do, I’m able to take ideas of POV, recreation, animation, still framing things in a three-act narrative, I’m doing re-contextualisation of found footage, I’m doing ideas that I dreamed of doing because I love cinema.”