Foto de Luigi Bazzoni

Luigi Bazzoni

Luigi Bazzoni

Bazzoni was clearly not interested in fulfilling genre expectations. Each of his features confounded expectations in different ways, and each of them displayed a level of technical excellence frequently missing in other genre cinema of the time.

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    A Mulher do Lago

    A MULHER DO LAGO

    LUIGI BAZZONI, FRANCO ROSSELLINI Itália, 1965

    Building a bridge between noir and the then-nascent giallo genre, co-director Luigi Bazzoni’s innovative debut is an ominously atmospheric true-crime mystery. With liminal spaces reminiscent of Antonioni, The Possessed marries arthouse to grindhouse for a fevered tale of madness and murder.

    Um Dia Negro

    UM DIA NEGRO

    LUIGI BAZZONI Itália, 1971

    He may not have the brand recognition of Dario Argento, but Luigi Bazzoni was every bit the giallo master. With a score by Ennio Morricone, cinematography by the legendary Vittorio Storaro, and a cast of genre stalwarts led by Franco Nero (Django), this alluring murder mystery has style to spare.

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