Opiniões dos críticos

Landis’ instincts proved correct: The Blues Brothers, when it eventually opened, hit just the right nerve with its target audience of ageing hippies and young punks, serving as a kind of counterculture rebel-yell against the rising tide of late-70s conformity.

The film retains a huge nostalgic kick, thanks in large part to Aykroyd and Belushi’s easy rapport, a smattering of daft, shaggy humour and some truly iconic musical sequences.