Our final Horrific October film—and 2nd adaptation of Poe’s “The Black Cat”—is a stylized horror film from genre legend Lucio Fulci. Transplanted to an English village terrorized in equal parts by the cat menace and Fulci’s thrilling camera, it stars Mimsy Farmer and Patrick Magee. Happy Halloween!
We conclude our Horrific October with a double feature of loose Italian adaptations of Edgar Allan Poe’s classic thrilling tale, “The Black Cat.” This being Italian genre cinema of the 1970s, its equal parts horror and eroticism, a giallo where nearly everyone ends up nude—or dead.
We like Belgian director Fabrice Du Welz for his arty, European take on genre filmmaking. The references are pure American cinema but the manic energy of the cast, camera and filmmakers is something all its own. For the Notebook, we spoke to Du Welz about his great follow-up, Alleluia.
Another silent horror that, through the mystery of cinema, gets creepier as it recedes into a black and white past that suggests a documentary of the time and not a fiction. A premise of unbeatable inspiration, with the great Conrad Veidt directed by the creator of The Cabinet of Dr. Caligari.
You don’t need sound to be terrified. Off-brand at the time (thus, Nosferatu and not Dracula), F.W. Murnau’s Expressionist masterpiece is now iconic horror. Its spare medieval atmosphere and Max Schreck’s iconic, otherworldly vampire seems to get increasingly eerie and disturbing as the film ages.
Our next Jesús Franco horror flick contends with Female Vampire as to which crams the most unnecessary, ridiculous and unforgettable eroticism, exposed skin and 70s violence into the least amount of story. But where that film had vampires, this one has possessed nuns. Danger: witch-hunting ahead!
Madly prodigious (over 200 productions!) and madly inspired Spanish genre stylist Jesús Franco cast his wife Lina Romay as a female vampire on the prowl. Female vampire…the 1970s…Jesús Franco: Signposts of warning not just of horror ahead but of also of truly plenteous nudity and sex.
Indie director Ti West followed the success of The House of the Devil with another visit to the American horror cinema of the 1980s. A crafty and fun haunted hotel film film shot for under a million, The Innkeepers is a ghost story that builds slowly, smartly, making much from its limited resources.
Our October is filled with a Rodriguez-Tarantino mash-up, 1970s sleaze, and silent terrors—and also indie surprises, like this week’s double feature of films by Ti West. His name jumped to attention with this thrillingly precise homage to classic American horror like Halloween.
Next in our Horrific October series is an under-known British gem—set in the US—featuring an early lead from Viggo Mortensen. One of the few films from poet, playwright, novelist, and musician Philip Ridley, it’s a dark, scintillating take on vampirism, stylishly shot by Mike Leigh’s DP Dick Pope.
Welcome to our Horrific October! We’re highlighting some of our favorite horror films this month, beginning with this darkly comic vampire mix of Robert Rodriguez and Tarantino. A pulpy, gory B-film jacked up by an amazing cast: Clooney, Keitel, Cheech, Hayek, Danny Trejo, Tom Savini and more.