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Remembering Chantal Akerman

MUBI Special

To commemorate the birthday of the Chantal Akerman, who would have turned 70 this year, we are showing two final films by the groundbreaking director that represent her remarkable range, along with a documentary about her life and process.

I Don't Belong Anywhere: The Cinema of Chantal Akerman

Marianne Lambert Belgium, 2015

An encounter with director Chantal Akerman herself. Marianne Lambert, who worked on Almayer’s Folly, offers a personal exploration that ranges from her best known film, Jeanne Dielman, 23 Commerce Quay, 1080 Brussels, to discussing what ended up being her last, “No Home Movie.”

No Home Movie

Chantal Akerman Belgium, 2015

In what would become Akerman’s final film, the great director returns home to visit her aging mother. Echoing the evocative portrait of female domesticity of her first feature, Jeanne Dielman, this masterpiece of intimacy is a profound reflection on family history and mother-daughter relations.

Almayer's Folly

Chantal Akerman Belgium, 2011

To commemorate the birthday of Chantal Akerman, who would have been 70 today, we are showing two final films by the groundbreaking director that represent her remarkable range, along with a documentary about her life and process. First up is her ambitious adaptation and subversion of Joseph Conrad.

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