Pulled from the Cannes competition in the same year that Poland declared martial law, Piotr Szulkin’s tale of alien invasion is a blazing satire of the media machine. Dedicated to H.G. Wells and Orson Welles, this noir-inflected sci-fi is an eerily prescient interrogation of the fake-news era.

Taking inspiration from Pasolini’s La Ricotta, Piotr Szulkin closes his “Apocalyptic Tetralogy” with an anarchic riff on the Passion of Christ. The funniest of the four films, Ga-Ga: Glory to the Heroes is a rich sci-fi allegory that puts the European colonial project in its satirical crosshairs.