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Peter Grant

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    Dogville

    DOGVILLE

    LARS VON TRIER Denmark, 2003

    A withering indictment of American social values, written and directed by a man who has never set foot in America, Lars von Trier’s Dogville is an ambitious provocation. With an all-star cast led by Nicole Kidman, this epic Brechtian drama is a raw examination of small-town hypocrisy and prejudice.

    Breaking the Waves

    BREAKING THE WAVES

    LARS VON TRIER Denmark, 1996

    From controversial director Lars von Trier comes the first entry in his Golden Heart trilogy, which was followed by The Idiots and the Palme d’Or winning Dancer in the Dark. Starring Emily Watson in an uncompromising performance, Breaking the Waves remains one of Von Trier’s finest achievements.

    Europa

    EUROPA

    LARS VON TRIER Denmark, 1991

    This early triumph by Lars von Trier, which won no less than three prizes at Cannes, is one of his most bizarre yet accessible works: a feverish retooling of film noir, an unhinged thriller, and a visually mind-blowing odyssey into a nightmare of our past.

    Manderlay

    MANDERLAY

    LARS VON TRIER Denmark, 2005

    A difficult yet rewarding film from the equally complex Danish provocateur Lars von Trier! This fiercely polemical, little-seen sequel to Dogville tackles a topic as sensitive as slavery, all the while maintaining its predecessor’s Brechtian premise, anti-American bent, and yes, its brilliance.

    The Element of Crime

    THE ELEMENT OF CRIME

    LARS VON TRIER Denmark, 1984

    A fascination with the extreme is written across all of Lars von Trier’s works, beginning with this mesmeric investigation of criminal minds. Captured in burnt sepia tones expressive of photographic fragments or uncertain memories, the ashen film is also evocative of a changing—crumbling?—Europe.

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