Photo of Sean Price Williams
Photo of Sean Price Williams

Sean Price Williams

“I’ve gotten carried away with graininess in the past and I probably will again.”

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    THE COLOR WHEEL

    ALEX ROSS PERRY United States, 2011

    Before Listen Up Philip, Queen of Earth, and Her Smell, indie director Alex Ross Perry grabbed our attention with this wonderfully acerbic second feature. An uproariously abrasive, fast-paced comedy road movie about a hyper dysfunctional brother-sister duo, shot on gorgeous 16mm B&W film.

    WOBBLE PALACE

    EUGENE KOTLYARENKO United States, 2018

    Lit up by a steady flow of text messages, live streams, and dating app profiles, Eugene Kotlyarenko’s quotable gem inhabits the rhythms of millennial ennui with uncanny perceptiveness. Starring Dasha Nekrasova of Red Scare fame, Wobble Palace treads a delicate tightrope between irony and sincerity.

    CHRISTMAS, AGAIN

    CHARLES POEKEL United States, 2014

    Need an antidote to the too-often terrible sub-genre of Christmas movies? Look no further than Charles Poekel’s debut: A gem that ignores the schlocky, capitalist veneer of holiday culture, but rather attends to the emotional and economic nuances brought about by the wintry, consumerist season.

    BEETLE QUEEN CONQUERS TOKYO

    JESSICA ORECK United States, 2009

    Director Jessica Oreck takes a philosophical and poetic look at insects in this lively documentary. Visually connecting the parallels between people and critters, cinematographer Sean Price Williams captures termites in astonishing digital close-up while mapping the buglike patterns of mankind.

    FAKE IT SO REAL

    ROBERT GREENE United States, 2011

    Robert Greene’s (Bisbee ’17) empathetic portrait of amateur wrestling captures the paradoxical tenderness of the sport. With radiant cinematography by Sean Price Williams, the film subtly focuses on the mythmaking of wrestling and the escape it offers from the struggles of Southern life.

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