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Außer Atem

À bout de souffle

Frankreich, 1960
Drama, Krimi

Darum geht's

Michel, unterwegs mit einem gestohlenen Auto, erschießt bei einer Verkehrskontrolle einen Polizisten. In Paris findet er Unterschlupf bei Studentin Patricia. Er beginnt sich in Patricia zu verlieben und plant eine gemeinsame Flucht nach Italien. Doch die Polizei ist ihm dicht auf den Fersen.

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Außer Atem Regie Jean-Luc Godard

Auszeichnungen & Festivals

Berlin International Film Festival

1960 | 2 Gewinne unter anderem: Silver Bear for Best Director

BAFTA Awards

1962 | Nominiert: Best Foreign Actress

Italian National Syndicate of Film Journalists

1961 | Nominiert: Best Foreign Director

Prix Jean Vigo

1960 | Gewinner: Feature Film

I don’t so much recollect my first reactions to Breathless as find myself involuntarily possessed by them, or rather inextricably embedded in them. I cannot report on Breathless as it looks now because it will never lose for me its original mesmeric fascination.
May 01, 2010
Ganzen Artikel lesen
Godard’s novel method was not only the practical springboard for his formal and intellectual inventions, it was a part of them. Breathless would be an “action film” in the sense of “action painting”: the act and the moment of making the film were as much a part of the work’s meaning as its specific content and style. As such, it would be the first existentialist film.
May 13, 2007
What’s new about A bout de souffle? To begin with, the way characters are conceived. Godard never uses a particularly precise line in the way he sketches his characters; instead, he follows – consciously – a series of contradictory directions. Godard is an instinctive creator, and rather than logic per se (which he was happy enough to follow in his first, tentative efforts, but which he is now too lazy to follow – and I don’t think it interests him), he follows the logic of his instinct.
April 01, 1960

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