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4.3
13.003 Bewertungen

Metropolis

Regie Fritz Lang
Deutschland, 1927
Drama, Sci-Fi, Fantasy

Darum geht's

In der technokratischen Riesenstadt Metropolis leben Arbeiter und Oberschicht völlig isoliert voneinander. Arbeiter müssen in den Tiefen der Erde vegetieren und wohnen in engen Massenunterkünften. Die Reichen und Mächtigen aber residieren hoch über dem Boden von Metropolis.

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Metropolis Regie Fritz Lang
The first modern blockbuster, the big-budget big bang, but it clinches that title only owing in part to its visionary grandiosity, its awesome scale, its ribald ridiculousness. The thing that really marks METROPOLIS as the first of its kind is its oppressiveness—the mix of elation and enervation, triumph and trepidation that greets everything from Joseph L. Mankiewicz’s CLEOPATRA to Michael Bay’s TRANSFORMERS: DARK OF THE MOON.
August 18, 2017
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It’s still easy to feel Metropolis’ power even after intervening decades… If A Trip to the Moon was the seed of science fiction on screen, Metropolis is its green stem, and much more too. The floodtide of Fritz Lang’s visual techniques and the expanse of the film’s evocation of the future might have met resistance of mind and eye in its day, but even in an abused and truncated form enough of his vision remained to stun the eye and light the creative spark.
October 18, 2016
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With his engineering background and architect’s eye, Lang favored orderly, symmetrical compositions; as the critic Frieda Grafe put it, he brought out “the hidden geometry in every shot.” In “Metropolis” Rotwang’s wild gestures, the robot Maria’s erotic contortions and the destructive frenzy of the workers’ revolt threaten to overwhelm Lang’s clean lines and precise spaces.
November 19, 2010
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