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3.8
565 Bewertungen

Geheimnisvolles Objekt am Mittag

Dokfa nai meuman

Thailand, 2000
Dokumentarfilm, Drama, Mystery

Darum geht's

In this semi-documentary, Apichatpong Weerasethakul provides an original portrayal of his fellow citizens. Battling food vendors, a boxer addicted to TV, a pious policewoman and a loveless rubber-tree tapper each contribute to a serial narrative.

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Geheimnisvolles Objekt am Mittag Regie Apichatpong Weerasethakul
The capper for me, Apichatpong Weerasethakul’s debut film, Mysterious Object at Noon (2000), is not at all perfect — it can’t be, because life and time and people are imperfect, and because the film itself tries not to be a real film at all, fiction or doc… Weerasethakul’s unique wabi-sabi sensibility, as meta as it is embraceably humane, is here in utero, and his film is a brand-new thing, porous and undefined, open to accident and whim.
August 08, 2017
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Weerasethakul’s Mysterious Object at Noon dispenses with color entirely, but that shouldn’t suggest a downward step in visual detail; the director’s 16mm black-and-white long takes linger on screen for minutes at a time before cutting to the next shot, asking us to encounter them in all of their shape and depth.
May 31, 2017
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Critics greeted its arrival on the festival circuit in 2000 as they might have a UFO sighting. Mysterious Object was disorienting equally for its out-of-nowhere inventiveness and for being rooted in a very specific place and culture. Thailand had been largely off the radar of even the most seasoned festivalgoers. But coming from anywhere, this thoroughly unpredictable shape-shifter would have qualified as sui generis: part road movie, part folk storytelling exercise, part surrealist parlor game.
May 30, 2017
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