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Sowjetunion, Bundesrepublik Deutschland, 1979
Drama, Avantgarde

Darum geht's

Unter der Führung des Stalkers, eines Pfadfinders und Ortskundigen, der am Rande einer verfallenen, wasserdurchzogenen und zerstörten Industrielandschaft lebt, begeben sich ein Wissenschaftler und ein Schriftsteller in diese mysteriöse “Zone”.

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Stalker Regie Andrei Tarkovsky
’Don’t hope for flying saucers. That would be too interesting," a jaded writer tells a glamorous woman in one of many strange and beautiful scenes in Andrei Tarkovsky’s “Stalker” (1979). There are no flying saucers in the great Russian director’s haunting tale of a journey into the depths of a postapocalyptic landscape, but it offers visual splendor, as well as mysteries, portents and miracles.
July 21, 2017
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It might seem rather a cliché to insist that film is a visual medium, but surely what is not spoken is just as important, in the total effect of this movie, as the articulation of its earnest ethical strivings. Tarkovsky seems to have found a way of photographing the human head—animated and in repose—as it had never been photographed before. He makes it monumental: sculptural and philosophical.
July 18, 2017
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The film isn’t aimless. Sure, given all that hiking, the mind wanders—and wanders back. At least one devotee of the film, which is about and inspires devotion, condemns this wandering as our modern inability to concentrate. Why not our old ability to transcend?
May 03, 2017
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