Wunderschönes, faszinierendes, unglaubliches Kino.
WO-DA-VOR-BEI
Darum geht's
WO-DA-VOR-BEI explores the conflict with the narrative: They can be understood as antinarrative expulsions of meaning as much as the first cinematographic attempts made in methodic inventions. In WO-DA-VOR-BEI the syllables comprising the title are made dynamic by alternatively being shown sometimes
Darum geht's
WO-DA-VOR-BEI explores the conflict with the narrative: They can be understood as antinarrative expulsions of meaning as much as the first cinematographic attempts made in methodic inventions. In WO-DA-VOR-BEI the syllables comprising the title are made dynamic by alternatively being shown sometimes