30 DAYS OF CINEMA

Paul Mescal and Josh O’Connor star in this nostalgic, aching romance, lifting a profound story of yearning in exquisitely tender performances. Interweaving timeless folk tunes with sumptuous, autumnal images, director Oliver Hermanus chronicles a love whose reverberations are felt for a lifetime.

Love and obsession are two sides of the same coin in this daring thriller from The Bear writer-producer Alex Russell, featuring rising stars Archie Madekwe and Théodore Pellerin. In a glitzy LA ruled by social currency, Lurker luxuriates in the suspense and the dark irony of celebrity worship.

With an artful eye and jazzy unpredictability, Kelly Reichardt unravels the threads of the heist film in this standout from Cannes. As an antihero kicking about on the brink of the ‘70s, Josh O’Connor is unmissable, lending rumpled discontent to this ironic, wry vision of American individualism.

Instincts both maternal and carnal clatter like shards of glass in a blender in this uncompromising portrait of a woman on the edge from director Lynne Ramsay. Starring Jennifer Lawrence and Robert Pattinson in a frenzied pas de deux, Die My Love inflames the exposed nerves of delirium and desire.

Leave it to Godard to re-invent sci-fi moviemaking with a New Wave budget, stealing images of modern Paris to throw us into a pop dystopian future. An ingenious mix of futurism, detective noir, and romance, with, of course, Anna Karina along with the indomitable Eddie Constantine as “Lemmy Caution”.

Two beautifully tender performances lift this subtle love story, which washes away the residual haze of romantic cliché. Adapting the twinned portrait of solitude from an award-winning novel, Koya Kamura suffuses his directorial debut with shoreline blues and exquisitely vaporous watercolor imagery.