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The second feature from Norwegian filmmaker Kristoffer Borgli, this wicked comedy is a deliciously dark portrait of a toxic relationship. With a delectable pair of performances at its center, Sick of Myself plumbs the merciless depths of its protagonists’ narcissism for an uproarious modern fable.

Dancing! Fashion! French Existentialism! Daisy von Scherler Mayer’s glittering time capsule of the ’90s club scene in downtown New York has it all. As a chronic reveler in search of another calling, Parker Posey fizzes with screwball charm in one of the most iconic films of her “Queen of Indie” era.

An Oscar®-nominated marvel of exquisite empathy, Magnus von Horn’s masterful vision of early 20th-century Denmark searches for tenderness and morality under fraught circumstances. Drawing on chilling true events that continue to resonate, this gothic parable is a visceral reckoning from the past.

Nine agonizing years after Morvern Callar, Lynne Ramsay returned to Cannes with another acclaimed literary adaptation. Radically reimagining the nature-or-nurture novel, Ramsay—and star Tilda Swinton—transform the text into a chilling film rightfully venerated for its unforgettable visual language.