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    Festen

    FESTEN

    THOMAS VINTERBERG Denmark, 1998

    Arguably portraying one of cinema’s most messed-up families ever, Festen is considered the first film made under the rules of the radical Dogme 95 movement. Thomas Vinterberg’s madcap time-bomb of latent secrets and repressed grudges makes any family dinner seem like a piece of cake.

    Dogville

    DOGVILLE

    LARS VON TRIER Denmark, 2003

    A withering indictment of American social values, written and directed by a man who has never set foot in America, Lars von Trier’s Dogville is an ambitious provocation. With an all-star cast led by Nicole Kidman, this epic Brechtian drama is a raw examination of small-town hypocrisy and prejudice.

    Dancer in the Dark

    DANCER IN THE DARK

    LARS VON TRIER Denmark, 2000

    The ultimate postmodern musical, von Trier’s quirky genre hybrid hinges on a ravishing performance by Icelandic pop star Björk, which makes the most of her innocent vitality. This idiosyncratic fantasy and overpowering tearjerker took home the Palme d’Or at Cannes, along with Best Actress for Björk!

    Breaking the Waves

    BREAKING THE WAVES

    LARS VON TRIER Denmark, 1996

    From controversial director Lars von Trier comes the first entry in his Golden Heart trilogy, which was followed by The Idiots and the Palme d’Or winning Dancer in the Dark. Starring Emily Watson in an uncompromising performance, Breaking the Waves remains one of Von Trier’s finest achievements.

    Manderlay

    MANDERLAY

    LARS VON TRIER Denmark, 2005

    A difficult yet rewarding film from the equally complex Danish provocateur Lars von Trier! This fiercely polemical, little-seen sequel to Dogville tackles a topic as sensitive as slavery, all the while maintaining its predecessor’s Brechtian premise, anti-American bent, and yes, its brilliance.

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